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He makes no particular attempt to impress her otherwise, and he enjoys sitting on the portico and listening to Gaston describe sugar planting, although he does not like to fish or hunt. Although Gouvernail puzzles Mrs. Baroda, he is lovable and inoffensive. She leaves him alone with her husband at first but soon begins to accompany him on walks as she attempts to overcome his reticence.

Her husband tells her that he will stay for another week and asks why she does not wish him to stay. She responds that she would prefer him to be more demanding, which amuses Gaston. Gaston tells Mrs. Baroda that Gouvernail does not expect a commotion over his presence and that he simply wishes for a break from his busy life, although she declares that she expected him to be more interesting. Later that night, she sits by herself on a bench, feeling confused and wanting to leave the plantation for a while, having told her husband that she might go to the city in the morning and stay with her aunt.

While she sits, Gouvernail sees her and sits next to her, not knowing her displeasure at his presence.

Gouvernail hands her a scarf on Gaston's behalf and murmurs about the night, and his silence disappears as he becomes talkative for the first time. He speaks to her of the old days and of his desire for a peaceful existence.


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She does not listen to his words so much as his voice, and she thinks of drawing him closer, although she resists because she is "a respectable woman. Baroda wants to tell Gaston of her strange folly, but she realizes sensibly that she must handle this feeling by herself.

The next morning, she leaves for the city and does not return until Gouvernail departs. Gaston wants Gouvernail to return the next summer, but she refuses. She later changes her mind, delighting her husband, who tells her that Gouvernail did not deserve her dislike. She kisses her husband and tells him that she has "overcome everything" and that she will now treat him more nicely. Baroda, a wealthy woman with a loving husband who faces temptation in the person of Gouvernail, a polite, unassuming visitor to the Baroda plantation.

Baroda is enticed early in the story with the prospect of a change from a quieter, more ordinary life, but whereas Mrs. Sommers gives in to her desires with relative ease and begins spending her extra money after limited deliberation, Mrs. Baroda does not instantly recognize what she really wants and eventually struggles with the self-imposed limitations of her identity as "a respectable woman. Nevertheless, just as the narrative implies that she has found the strength to triumph over her emotions, Mrs.

Baroda approaches her husband and offers a sweetly ambiguous statement that reopens the question of her intent to act upon her emotions. She tells him, "I have overcome everything! You will see.

Discussion

This time I shall be very nice to him. Baroda has regained control of her emotions. Overcoming "everything" seems to mean that she has overcome not only her displeasure about Gouvernail, but also her unrespectable romantic feelings. Chopin purposely leaves the meaning of this declaration unclear, but knowing what we know about her understanding attitude toward female sexual independence in The Awakening and in her short story "The Kiss," we might infer that Chopin is entertaining the idea that Mrs.

Baroda will resist the ethical standards of her society and discover more about her needs and available choices as a woman. Thus, depending on whether we read Mrs. Baroda's final decision as a repression of her desires or as a plan to pursue fulfillment of her emotions, our interpretation of Mrs. Baroda's character development can take one of two radically different paths. In the first case, we can view Mrs.

A Respectable Woman Essay Example

Baroda as a woman who has never before faced any true emotional tests in her comfortable life as the mistress of her plantation. In this account of the story, Mrs. Baroda then undergoes a mental conflict within herself, and the climax of the story occurs at her decision to leave Gouvernail and take the train to the city--while she reminds herself that she is a respectable woman. She does not choose to see Gouvernail again until, some months later, she determines that she has defeated her baser emotions, and her assurance to Gaston Baroda indicates that she will feel free to treat Gouvernail with more courtesy, since she is no longer attracted to him.

Consequently, not any text requires a historical or social context to critically approach it. Bakhtin, though regarded as an influential figure in Russian formalism, puts under question the formalist assumptions, and claims that the aim of the formalist critic should be the identification of a ''plurality of authoritative ideological positions''.

Bakhtin is interested in discourse and how it embodies the material conditions of human beings. Thus, Ideology is represented in works of art, and the role of the critic is to highlight social and cultural ideologies that the author embedded using different textual properties Castle, Before getting right into the method of putting texts into their context, it is deemed necessary to define Contextual Analysis. Professor Behrendt summarized it as putting a text in its cultural and historical context as well as comparing it with other texts in terms of quality and characteristics. This method couples '' formal analysis'' and contextual tracings in literary works; that is a pre-study of the social, cultural, religious, and '' aesthetic conditions'' that were due at the time when the text was produced.

Essay Preview: Literary Analysis on Kate Chopin's "a Respectable Woman"

When approaching a work of art, the reader should examine the social or cultural circumstances in which it was written and some major events or specific incidents that were noted at the period. With this being done, the reader can sort out if the text calls for a particular action or raises the reader's awareness of a particular issue Wolfreys, Starting from the s up to the early s, a group of literary theorists, named new historicists, shifted their interest from the text based criticism to a, relatively considered, traditional approach to literary analysis that takes into account the relation between history and literary works.

Various publications emerged in the literary arena focusing primarily on how literary works reflect, represent and are shaped by history. Besides, new historicists claim that political affiliation shapes narratives and endows texts with their distinctive features.

Importantly, new historicist critics considered works of art as mediums in which meaning enters in an interplay between historical, social events, culture, and aesthetic production. As a matter of fact, what the new critics, the structuralists, and the poststructuralists neglected was the relation between language, thought and culture.

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Language as a symbolic system influences our thoughts because it carries within it a cultural load. Continuing on this line, Deacon as cited in Kramsch, claims that the symbolic use of language brings about, indirectly, changes in the human brain through its effect on the human behavior, which, in turn, causes changes in the environment or community. Ergo, it is quite difficult, if not impossible, in literary analysis, to separate literary texts from the milieu in which they were produced.

Application 3. Louis, Missouri. Her family and their neighbors were known for their ownership of slaves. Chopin lived in a period of political upheavals as well as cultural encounters and changes. Her Father emigrated from Ireland and her mother is of French origins.

Thus, Chopin was brought up in a French atmosphere and learnt French in her early stages of her life. Her great-grandmother was responsible, partially, for her education. She taught her how to read and write in French and exposed her to various stories about strong French women Chopin, Walker, When Chopin's dad died in , her mother was left with the three children to take care of.

Later on, she joined the Sacred Heart Academy, a catholic boarding school, from where she graduated in Chopin was popular and wrote in one of her diaries, giving an advice on flirting, "just keep asking 'What do you think? Her half-brother, George, died of typhoid fever. All these events, besides the death of her father 8 years before, generated in Chopin a feeling of religious skepticism.

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At the age of twenty, she married Oscar Chopin, with whom she had five boys and two girls. Unfortunately, Oscar died of Swamp fever in which forced Chopin to run his general store and a plantation he owned for over a year. After that, she sold all the properties she had and moved to S. Lious again to live with her mother who died a year later leaving Chopin again alone with her kids. Following, she started writing short stories to support her family. Ibid Following the death of her husband and her subsequent sorrow, Chopin was told to have an affair with a man, known to be a womanizer, named Joseph Albert Samptite, who was married to a woman named Marie Lodoiska.

Everyone in town including Marie knew that Albert was chasing Chopin with whom he has a lot in common such the love for horses and strolls unlike with his wife who was only interested in family and children. The friendship between Albert and Chopin became closer and the affair became known to everyone. It is, however, unknown whether this affair had been going on while she was married.

A respectable woman in this by kate chopin mrs baroda

On the other hand, Chopin's writings prove that the relationship with Albert was more than a mere friendship Tolentino, This period was a time when the old was confronted with the new. The traditions and the norms were changing owing to the urbanization and the industrialization. It is also worth-noting that the Darwinian theory of evolution was rapidly spreading and invading people's perception as well as Chopin's. Besides, there was a growing tendency to criticize the bible and consider its manuscripts as being combined by people, which means that they are not the holy words of god. The period was also known for the constant movements of the women's suffrage.